Unit 4 : Learning Aim B/C
Binary Oppositions
Claude - Levi Strauss
"The films we watch contain binary oppositions to help the audience understand the narrative and to create more conflict/excitement"
Levi Strauss, a French anthropologist in the 1900s, proposed a theory of 'binary opposites' which entails that the majority of narratives in media forms such as books and film contain opposing main characters.These binary opposites help to thicken the plot and further the narrative; and introduce contrast. For example, in a superhero film this could be good vs. evil, in a horror film this could be human vs. supernatural, and in a comedy this could be young vs. old. A problem with binary opposites is that they may oftentime perpetuate negative stereotypes. For example, if the binary opposite was man vs. woman, according to gender stereotypes, the man may be portrayed to be 'strong' whereas the woman is the 'damsel in distress'. It is important to see how these stereotyes have changed in media forms over time. Also, in more recent years, binary opposites are not so clear cut - they can be complex and there may be multiple binary opposites between two characters. For example in Harry Potter, Harry Potter vs. Voldemort may be seen as good vs. evil, also young vs. old, but also innocent vs. corrupt or normal vs. deformed. Therefore, it is important to note as many binary opposites as possible when analysing media forms to give your analyses depth and broadness.
(Information from https://www.mytutor.co.uk/answers/8161/A-Level/Media-Studies/What-is-Levi-Strauss-Theory-of-Binary-Opposites/)
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HERO-VILLAIN
DARK-LIGHT
SANE-INSANE
GOOD-BAD
Psychological thriller sub-genre conventions
Psychological thriller definition :
-Conflict is mental and emotional rather than physical.
-Dragged into conflict by accident or curiosity.
-Not prepared to resolve the situation.
-Characters not reliant on physical strength but reliant on their mental resources.
Common themes in psychological thrillers :
-Reality
The state of things as they actually exist
-Perception
Ability to see,hear or become aware of something through senses
-Mind
Element of a person that enables them to be aware of the world and their experiences
-Existence/purpose
The fact/state of living/having objective reality
-Obsession
Idea or thought that constantly preoccupies/intrudes someone’s mind
-Identity
The fact of being who or what a person or a thing is
-Death
The action or fact of dying or being killed
Conventions
Costume/Makeup
-Fundamental factor
-Helps portray the character
-In psychological thrillers, the costume contributes to the overall atmosphere - provides harmony along with other aspects - e.g, non-diegetic and diegetic sound (dialogue or suspense building scenes).
-Dependable on costumes to help portray the character in terms of social class and gender.
-Costume must seem realistic and match the locations in order for the film to be taken into account seriously.
-Use monochromatic colours of black and white adapting to the sense of mystery. - could be due to that colour distracts the audience from the character’s internal conflicts. - also connotes injustice and justice.
Props
-Knives and weapons are common props in psychological thrillers
- Connotate to the destructive and brutal nature of many psychological thrillers
- Knives provide the audience an insight of aggression and aid the audience to establish who is the victim and who is the villain. - Helps to provide a more interesting way of embodying tension and suspense through different camera angles.
-Guns also used
Questionnaire
Questionnaire results
Conventions of our thriller
During our research on key conventions vital for an erotic thriller we found that death and killing are prominent themes throughout all thrillers including an erotic thriller that we will attempt to undertake. However death is often not seen and less vital in erotic thrillers than most other sub genre of thriller. We also found throughout our research that it often takes place in an unwelcoming place at an un-decedent hour such as at night however thrillers can commonly be seen to use urban and nice areas to appear as a facade for the dark and horrific plot. We also found that the antagonist is revealed at the end to the protagonists but can usually be seen throughout as the antagonists identity could be apparent to the audience. However some directors withhold this information to create suspense and mystery during the thriller. Arguably the most important convention of an erotic thriller could be adultery or cheating these are common in many erotic thrillers and if not apparent then the theme of taboo could be shown throughout the film in place of adultery. In this affair the characters are commonly infatuated this could be mutual or un-reciprocated often cause for the thrillers main action. Also a common place in erotic thrillers is that the women are usually antagonists this contradicts most thrillers as they are usually men but this female antagonist could indicate passion or a misogynistic view on female desire. Finally colour themes such as red or blue are common this could be as they often imply lust or desire however it could also indicate passion and intrigue.
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Learning Aims : B
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Composition
We produced collages of pictures on the topics that we were provided we collected images that we though conveyed 'Light' these were the images we found :
Claude Levi Strauss
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Budgeting
Claude Levi-Strauss believed that media is heavily influenced with binary opposition this helps audiences grasp concepts within the media we watch , this can help make the plot clearer and it can also help build excitement .
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Legal Restrictions and Guidelines
Audience opinions
​Clowns are scary / a doll ya know one of those talking ones those are pretty scary / he prefers psychological thrillers / when asked about erotic thrillers he agreed / enjoys gang warfare and a civil setting between gangs / rabies is pretty scary potential for a medical thriller / night in a forest drug deal gone wrong in a natural setting at night enjoys portrayals of stoic characters like Morgan freeman / western period setting is pretty good / noir films have a culture providing different interpretations of the thriller genre / Does not like black and white / thrillers that are based in reality are an interesting concept - Will Conroy
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Conventions of our thriller
During our research on key conventions vital for an erotic thriller we found that death and killing are prominent themes throughout all thrillers including an erotic thriller that we will attempt to undertake. However death is often not seen and less vital in erotic thrillers than most other sub genre of thriller. We also found throughout our research that it often takes place in an unwelcoming place at an un-decedent hour such as at night however thrillers can commonly be seen to use urban and nice areas to appear as a facade for the dark and horrific plot. We also found that the antagonist is revealed at the end to the protagonists but can usually be seen throughout as the antagonists identity could be apparent to the audience. However some directors withhold this information to create suspense and mystery during the thriller. Arguably the most important convention of an erotic thriller could be adultery or cheating these are common in many erotic thrillers and if not apparent then the theme of taboo could be shown throughout the film in place of adultery. In this affair the characters are commonly infatuated this could be mutual or un-reciprocated often cause for the thrillers main action. Also a common place in erotic thrillers is that the women are usually antagonists this contradicts most thrillers as they are usually men but this female antagonist could indicate passion or a misogynistic view on female desire. Finally colour themes such as red or blue are common this could be as they often imply lust or desire however it could also indicate passion and intrigue.
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Group Planning
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In this rationale I will be explaining the main details that assist in the planning of our film. We desire to produce an erotic thriller that requires documentation and planning, subsequently i will be planning an opening for a thriller film as well as going into detail on the collection of information to maximise the popularity of the film. On top of this i will explain all potential ideas and the final idea that we will turn into a finalised product.
After using a survey to investigate the interests of potential audiences we have concluded that an erotic thriller focusing on the plots tempo as it could change repeatedly this could be done to ensure that audiences can be kept uncertain about the films direction and the fulcrum of the action. Research suggests that our target population is more likely to be aged fifteen to 17 years old this shows a 15 age rating could be sufficient to ensure our target audience is permitted to see our films and subsequently this could boost popularity among our target audience, attributing to our success. We similarly found that our audiences are predominantly male this shows we should target our product at a male audience. This could be done through using different signifies that embodied more masculine characteristics in our film. We also surveyed audiences on their preference of thriller sub-genre finding that they enjoyed horror aspects as well as erotic aspects this indicates that we should have an erotic thriller with multiple horror aspects, this could be done to please audiences and boost popularity. We asked why people enjoyed thrillers so much with many saying that they don’t enjoy thrillers. This shows our platform targeted at these ages could ensure that many teenagers become more intrigued in the genre. We also found that many believe that the key to building suspense and the key to a good thriller overall is the pace this can include the pace of the plot, building suspense with the music and how it can change pace to evoke feelings of fear and anticipation. Similarly they believed that the most important part of a thriller is suspense that can be achieved through a dramatic use of pace. They also feel as though the production is made better through the use of an unknown hero; this could be done as we build the villains infamy as the villain kills all potential heroes until the final hero is revealed and eventually triumphs. The target group questioned on their preference believed that they would prefer a male protagonist that could show that they wish to see an embodiment of more masculine archetypes that could influence the plot.
We have also conducted research on similar products that achieved large scale success in mainstream media. For this research we found that most erotic thrillers had a key colour schemes of red , blue, white or black this could be to act as various emotional signifieirs such as red indicating love and passion as well as acting as a foreshadowing of danger and on the other hand blue could similarly show passion as well as a cold methodical way to maintain control over their main fixation (the protagonist), both red and blue are binary opposites as they are extremely contrasting and could be used in the same product to show the differences between characters . Finally white acts to signify purity and innocence and subsequently is associated with the main protagonist this is usually female that is associated with white in most products. White is usually contrasted with black this could show a lack of emotion and a hatred for those who are in love this spiteful vengeance is a characteristic commonly seen within antagonists in the erotic thriller sub-genre.
Using my knowledge of erotic thrillers and combined with both my knowledge of target audiences and previous products i have concluded that focusing on an intriguing and appealing soundtrack could help increase the quality and popularity of my film opening. This will involve finding era relevant music to ensure that we keep continuity this could also be done by interpreting what an audience of our target age enjoys and conveying it into our film an example of this classical music such as 60s-70s classics or western ballads of wandering through desolation. We also found that many people of ages 15-17 have problems in the modern world such as identity, sexuality and problems with bullying or family. I found these were recurring problems in society as many youths of the ages 15-17 often required help processing these problems and subsequently a film could be the platform to ensure that people don't feel isolated by their problems. Despite this if our production attempted to involve one of these problems as a plot device then we would have to approach the topic with severity and seriousness as to ensure that it was not interpreted poorly this could influence the role in what this character plays.
We came up with many creative and unique ideas that would involve both erotic thriller conventions and meet the needs of our target audiences. One of these ideas was to set the erotic thriller in the modern world and have our main antagonist introduced at the beginning it would be revealed that our antagonist was a transvestite that dressed as a woman and killed men that she allured back to her house. This could be done to also raise awareness for internet safety as it would often show her social media accounts as being instrumental in the killing of those men. The unknown protagonist the audience wanted could be incorporated as they are seen as another victim until it's revealed they are the main protagonist. We could appeal to younger audiences through a relevant and intriguing soundtrack involving many songs that could contradict action or that could build tension. An alternative idea could be however to have our erotic thriller set in 60s-70s era whilst retaining the premise of a transvestite killer and an unknown male protagonist however using this format and time period could bring attention to the adversity that LGBTQ+ members face even in a modern world .
In conclusion the finalised idea for our thriller will be to have an erotic thriller set in the 60s-70s era and will mainly follow a transgender killer revenging herself on those who cruelly bullied her in school this task will be approached with grim severity as to ensure that our intentions can be interpreted as little as possible. It will aim to show the cruelty that LGBTQ+ members face in society and in childhood as they challenge conventional conformists. I have chosen this because I feel as though the sub-genre is saturated with heterosexual conflicts that only appeal to show an antagonist that has one goal and are usually conforming to various personality types.
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Make-up plans
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Blond wig
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Cheerleader costume
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American football jersey
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Baseball cap
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Jeans Trainers
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Fishnets
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Fedora
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Sheriff badge
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Coats
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Costume plans
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Foundation
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Concealer
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Powder
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Etc
Props plans
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Condom
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Coffee
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Fake Blood
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Torches
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Lighting (Natural)
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Rope
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Chair
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Picture of cat fisher
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Picture of murder victim
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Social media account
Equipment plans
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Camera
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Hand sanitiser
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Wax stripes
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Tripod
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Lighting
Film budget
Film rationale and proposal
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In this rationale I will be explaining the main details that assist in the planning of our film. We desire to produce an erotic thriller that requires documentation and planning, subsequently i will be planning an opening for a thriller film as well as going into detail on the collection of information to maximise the popularity of the film. On top of this i will explain all potential ideas and the final idea that we will turn into a finalised product.
Questionnaire results
After using a survey to investigate the interests of potential audiences we hae concluded that an erotic thriller focusing on the plots tempo as it could change repeatedly this could be done to ensure that audiences can be kept uncertain about the films direction and the fulcrum of the action. Research suggests that our target population is more likely to be aged fifteen to 17 years old this shows a 15 age rating could be sufficient to ensure our target audience is permitted to see our films and subsequently this could boost popularity among our target audience, attributing to our success. We similarly found that our audiences are predominantly male this shows we should target our product at a male audience. This could be done through using different signifies that embodied more masculine characteristics in our film. We also surveyed audiences on their preference of thriller sub-genre finding that they enjoyed horror aspects as well as erotic aspects this indicates that we should have an erotic thriller with multiple horror aspects, this could be done to please audiences and boost popularity. We asked why people enjoyed thrillers so much with many saying that they don’t enjoy thrillers. This shows our platform targeted at these ages could ensure that many teenagers become more intrigued in the genre. We also found that many believe that the key to building suspense and the key to a good thriller overall is the pace this can include the pace of the plot, building suspense with the music and how it can change pace to evoke feelings of fear and anticipation. Similarly they believed that the most important part of a thriller is suspense that can be achieved through a dramatic use of pace. They also feel as though the production is made better through the use of an unknown hero; this could be done as we build the villains infamy as the villain kills all potential heroes until the final hero is revealed and eventually triumphs. The target group questioned on their preference believed that they would prefer a male protagonist that could show that they wish to see an embodiment of more masculine archetypes that could influence the plot.
We have also conducted research on similar products that achieved large scale success in mainstream media. For this research we found that most erotic thrillers had a key colour schemes of red , blue, white or black this could be to act as various emotional significance such as red indicating love and passion as well as acting as a foreshadowing of danger and on the other hand blue could similarly show passion as well as a cold methodical way to maintain control over their main fixation (the protagonist), both red and blue are binary opposites as they are extremely contrasting and could be used in the same product to show the differences between characters . Finally white acts to signify purity and innocence and subsequently is associated with the main protagonist this is usually female that is associated with white in most products. White is usually contrasted with black this could show a lack of emotion and a hatred for those who are in love this spiteful vengeance is a characteristic commonly seen within antagonists in the erotic thriller sub-genre.
Knowledge of our chosen thriller
Using my knowledge of erotic thrillers and combined with both my knowledge of target audiences and previous products i have concluded that focusing on an intriguing and appealing soundtrack could help increase the quality and popularity of my film opening. This will involve finding era relevant music to ensure that we keep continuity this could also be done by interpreting what an audience of our target age enjoys and conveying it into our film an example of this classical music such as 60s-70s classics or western ballads of wandering through desolation. We also found that many people of ages 15-17 have problems in the modern world such as identity, sexuality and problems with bullying or family. I found these were recurring problems in society as many youths of the ages 15-17 often required help processing these problems and subsequently a film could be the platform to ensure that people don't feel isolated by their problems. Despite this if our production attempted to involve one of these problems as a plot device then we would have to approach the topic with severity and seriousness as to ensure that it was not interpreted poorly this could influence the role in what this character plays.
We came up with many creative and unique ideas that would involve both erotic thriller conventions and meet the needs of our target audiences. One of these ideas was to set the erotic thriller in the modern world and have our main antagonist introduced at the beginning it would be revealed that our antagonist was a transvestite that dressed as a woman and killed men that she allured back to her house. This could be done to also raise awareness for internet safety as it would often show her social media accounts as being instrumental in the killing of those men. The unknown protagonist the audience wanted could be incorporated as they are seen as another victim until it's revealed they are the main protagonist. We could appeal to younger audiences through a relevant and intriguing soundtrack involving many songs that could contradict action or that could build tension. An alternative idea could be however to have our erotic thriller set in 60s-70s era whilst retaining the premise of a transvestite killer and an unknown male protagonist however using this format and time period could bring attention to the adversity that LGBTQ+ members face even in a modern world .
Conclusion
In conclusion the finalised idea for our thriller will be to have an erotic thriller set in the 60s-70s era and will mainly follow a transgender killer revenging herself on those who cruelly bullied her in school this task will be approached with grim severity as to ensure that our intentions can be interpreted as little as possible. It will aim to show the cruelty that LGBTQ+ members face in society and in childhood as they challenge conventional conformists. I have chosen this because I feel as though the sub-genre is saturated with heterosexual conflicts that only appeal to show an antagonist that has one goal and are usually conforming to various personality types.
Equipment plans
For our film we require equipment that we can either buy or borrow from the school. The school has cameras that we are allowed to use and we will take a camera bag to hold the camera for safety and if we were to drop it the camera will be more protective in the bag saving the camera and any footage we have on it. For filming we will use tripods to help steady the shots that we film so it doesn’t all look too shaky and camera movements are smoother. Because our film is a thriller we are expecting some scenes to be in low level lighting. For this we might need to have some lighting equipment in case it's too dark or maybe have some light to create shadows to make it more thriller esc, we can do this with phone lighting, however, it won't be as good as proper lighting equipment. We may be able to borrow some lighting equipment from school otherwise we will have to buy our own or use some sort of replacement like torchlight.
For audio we can either use the camera's own audio, however bringing a microphone to record dialog will be more useful for diegetic noises such as birds. One precaution might be that the wind might be louder than the actual dialog meaning that if we took a microphone and used it to record lines where we film is to load. We can ask to borrow the microphone from the school or either buy it ourselves.
Dolly is a piece of equipment that would be hard for use to get hands on as the school does not have one and buying one would be time consuming and costly. However, we can improvise with things such as shopping trolleys and skateboards which are not as practical but can still be used to track shots.
A card reader is given to us with the camera. This allows us to download all footage we gather to the computer where we will use premiere pro to edit and cut the footage and add edits such as titles and some music. All of the computers in our class within school have premiere pro already downloaded so we can use that or any other editing software that we would like.
Music ideas
We believe that we should have an archaic feel that the music clearly indicates. This could be done by using music from the 1960s-70s. The commonly cheerful and relaxed music could contradict the brutality and violence shown by the plot. This makes use of contrapuntal sound and potentially instills a sense of confusion or horror as the thriller continues with such grimness to a joyful soundtrack. Examples of such things could be Betty Hutton - He’s a demon , He’s a devil / Frank Sinatra / Elton John / alive with actions / Cabon Channel / Harry James - it’s been a long long time / Motown / Classic country (i.e Johnny Cash) / Elvis Presley / Dean Martin and so on.
For the opening we want a slow and low pitch music playing so the audience can identify that there's nothing much happening within this time until we reach a point of suspense where we want the music to slowly build up tension then we want the music to turn into a faster and louder pitch to create tension.
Sound effects
Sound effects within film is one of the most important things. Similar to music, it emphasises actions and feelings. A simple sound effect can give the audience a totally different experience. It can be as simple as a door creaking which could give the audience goosebumps or a fart sound effect can make them laugh. It can add extra emotion to a scene giving it more detail and finishing the film experience.
Of course, within our thriller we want the audience to be tense and they should be on edge. However, we don’t want to go overboard as it's only the opening we are doing but it still doesn’t remove the importance of sound effect within films.
Our opening is set in the woods so we would need diegetic sound effects such as leaves crunching and the wind blowing, along with wildlife to maybe to emphasise the distance they are away from other people/civilization to help make them feel on edge as if anything does go wrong there's no one there to help them, making the audience worried which would help to intensify the scene. Depending on the time of day we shoot we could add birds or owls to our sound effects making it clear that they are in the woods and the only things nearby are trees and birds.
A sound effect we would use for the noise to kill the killer's victim either will be breaking of bones or a slash from a knife. We are considering using either the actor’s voice for their own death or would we need to find some sound effects to suit that scene.
Film Pitch
STORYBOARD
Music/Sound Effect Ideas
Filming Schedule
Character Profiles
Female Antagonist
The lead was born a boy and yet identifies as female as a result of her embracing her true identity subsequently her father would mistreat her often times trying to force her into an uncomfortable role while maintaining the toxic habit of alcoholism. The fathers resentment of his daughter and alcoholism culminated in her being abused as a child and into her early life as an adult. In our product we use this as fuel to justify her slaughters of men that commonly exhibit the same toxic masculine traits as her oppressive abusive and tyrannical father.
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One idea to introduce our characters and establish the premise of the film could be to introduce her in a hideout area and we begin with establishing shots of the area to help connote her murderous desire. More specifically we begin on a low match cut to track her feet and the camera lingers to focus on a weapon or malicious item of some kind. This is matched with the ominous music and intense low level lighting.
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As for her wardrobe we would like to see her embrace a less conventional and yet contemporary fashion such as an alternative and emo style with the use of red lipstick connoting danger and murderous intent as well as the lusty passion commonly seen throughout the erotic thriller genre.
boy victim
The boy/victim introduced in the beginning would be following Freya this is as to denote that she is leading him as well as to further symbolize his idiocy in mindlessly following. We would like him to exhibit typically toxic masculine traits such as easily aggravated, conceited, vain and hypocritical. subsequently pleading the audience to sympathise less with the victim. This would then hopefully present the audience with a moral dilemma as to who to condemn.
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The most optimum way to explicitly convey this in combination with dialog is wardrobe and body language we'd like them to be selfish as we watch Freya shiver from the cold night and their expression should objectify and underestimate our killers capacity for violence on the conceited assumptions of appearance. The desired clothing would as be from a 2010's contemporary audience and would be baggy jeans (implies his laziness and lack of work ethic) with pants on display (to covey his lack of professionalism) as well as sporting tops and jewellery (to further accentuate the embodiment of masculine stereotypes and the conceited nature of his character).
This character will only be shown in the opening of the film. He doesn't need a background or much detail to his character as his purpose is to further contrast our female lead as a serial killer.
Location Recce
In this task we have finalised our filming locations and subsequently started to convey a notion as to what the final project would look like. From the evidence gathered we can see that the ideal setting would be a Forrest to accentuate the isolated and eerie vibes that such an environment conveys.
From this task we have learnt about the skills required to preform a recce such as following a creative intent to the ideal situation as well as assessing an environment
Thriller Opening Analysis
A Company Identity - Banana Slug
A company identity such as name and logo are vital for the involvement in the credits and helps to add a sense of professionalism when done correctly. We intended to use a banana slug as inspiration for the logo. This is because they are vital to nature and the life cycle also their slimy and repulsive appearance forges a sense of natural and ugly truths. On top of this after reproduction the male banana slugs eat their own reproductive organs this could act to potentially foreshadow the intriguing and innate sexual nature of the erotic thriller.
What titles would we expect at the opening of a film ? - CHAZ
The titles for seven show the company name in a scratchy writing; this font continues and the titles continue to represent the actors, producers and companies involved in the production of the film. This representation is to be expected in any and most thriller films. A specific example in seven would be - new line cinema presents, an arnold kopelson production, a film by david fincher, brad pitt, morgan freeman, seven(title), gwenyth paltrow, richard roundtree, R lee ermey, john c mcginley, julie araskog, mark boone junior, john cassini, reginald e cathey, pete crombie, hawthorne james, michael massee, leland orser, richard portnow, richard schiff, pamala tyson, casting by, billy hopkins, suzanne smith, kerry borden, music by howard shore, costumes designed by michael kaplan, edited by richard frances bruce, production designed by arthur max, director of photography, darius kohndiji, co producers stephen brown nana greenwold sanford panitch, co executive producers lynn harris richard saperstein, executive producers dan kolsrud anne kapleson, written by Andrew Kevin Walker, produced by Arnold kapleson Phyllis Carlyle, directed by Dan Fincher. The titles we would expect to see show the audience who was vital in production despite the fact they aren't designed to be focused on.
What order would they appear in ?
The order of titles in seven is the main title first this is adverse with Hannibal as the actors' names come prior to any other credit. Again the actors' names continue throughout as the film production company in seven comes second to the main title. After the names of actors in hannibal it goes on to say who developed it for tv and the finally the title.this is different as these vital credits come before the actors names and the films credits end with who helped produce it singularly.
What exactly would the titles say ? - BARNI
The titles for Se7en start with the production company with the distribution company, then it’s the directors name. The title comes after another shot in which there is no title. Then it’s the casting director then it’s shots without titles. After all of that the cast members come up one every shot. Then it’s the music director. Then it’s costume design. Then it’s the editor. Then it's the co-producers. Then it’s who wrote it.
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Where would the titles appear in frame ?- DONNY
The titles in zodiac appear on the frame in small lowercase letters are placed at the lower left bottom frame and sometimes if the titles are to long they fill in the bottom frame.the titles fade in then they fade out and repeat some of the titles fades out into a code that slowly fades out consists of numbers and patterns that's spread out and fade as more go in frame then those slowly fade out till the next new title fades in. throughout the film opening the titles of people and what they did turn into a code/cipher. Sometimes the list of names is horizontal. Colors has to be able to stand out from the back ground so the audience can see the titles and read them main colours used are red white and black in Zodiac the titles appear in white normally covering something that would make it stand out like white font on a black background avoiding areas of the frame where it might blend in making it hard to read.
How would they be written ? (colour, size and font) - CATLEEN
In the thriller film ‘‘Buried’’, they have used contrasting colours to help make the title much more bold to their audience. The plain background contrasting with the yellow title may foreshadow what may happen with the main character and how they are isolated and are alone, the title ‘Buried’ might also foreshadow what will happen to maybe the main character. The size of the font is rather large and it is all written in capital letters. This can help to make the audience only focus on the title. The way the title is shown with the bold letters and contrasting colours might imply that the company wanted the audience to think about the film title and wanted them to feel some type of emotion before the film begins.
In the thriller film “Splice”, they have used rather dark colours such as black and green merging together. In the background they have used a pattern which appears to look like veins which also spell out the title of the movie. However, this title uses lowercase and is in a more formative font which highlights the variety of styles that the thriller genre uses. This title might make some viewers uncomfortable with the way they are displaying it.